Showing posts with label Robert Liparulo. Show all posts
Showing posts with label Robert Liparulo. Show all posts

Monday, July 21, 2008

Watcher in the Woods by Robert Liparulo

It's May 21st, time for the Teen FIRST blog tour! (If you're interest, feel free to join our alliance by clicking the button.) Here's how it works: Every 21st, we feature an author and his/her latest Teen fiction book's FIRST chapter. This week it's Robert Liparulo and his book:



ABOUT THE AUTHOR:

Robert Liparulo is an award-winning author of over a thousand published articles and short stories. He is currently a contributing editor for New Man magazine. His work has appeared in Reader's Digest, Travel & Leisure, Modern Bride, Consumers Digest, Chief Executive, and The Arizona Daily Star, among other publications. In addition, he previously worked as a celebrity journalist, interviewing Stephen King, Tom Clancy, Charlton Heston, and others for magazines such as Rocky Road, Preview, and L.A. Weekly. He has sold or optioned three screenplays.

Robert is an avid scuba diver, swimmer, reader, traveler, and a law enforcement and military enthusiast. He lives in Colorado with his wife and four children.

Here are some of his titles:

House of Dark Shadows (Dreamhouse Kings Book 1)
Comes a Horseman
Germ
Deadfall


AND NOW...THE FIRST CHAPTER:

1

At twelve years old, David King was too young to die. At least he thought so.

But try telling that to the people shooting at him.

He had no idea where he was. When he had stepped through the portal, smoke immediately blinded him. An explosion had thrown rocks and who-knew-what into his face. It shook the floor and knocked him off his feet. Now he was on his hands and knees on a hardwood floor. Glass and splinters dug into his palms. Somewhere, all kinds of guns were firing. Bullets zinged overhead, thunking into walls—bits of flying plaster stung his cheeks.

Okay, so he wasn’t sure the bullets were meant for him. The guns seemed both near and far. But in the end, if he were hit, did it matter whether the shooters meant to get him or he’d had the dumb luck to stumble into the middle of a firefight? He’d be just as dead.

The smoke cleared a bit. Sunlight poured in from a school-bus-sized hole in the ceiling. Not just the ceiling—David could see attic rafters and the jagged and burning edges of the roof. Way above was a blue sky, soft white clouds.

He was in a bedroom. A dresser lay on the floor. In front of him was a bed. He gripped the mattress and pushed himself up.

A wall exploded into a shower of plaster, rocks, and dust. He flew back. Air burst from his lungs, and he crumpled again to the floor. He gulped for breath, but nothing came. The stench of fire—burning wood and rock, something dank and putrid—swirled into his nostrils on the thick, gray smoke. The taste of cement coated his tongue. Finally, oxygen reached his lungs, and he pulled it in with loud gasps, like a swimmer saved from drowning. He coughed out the smoke and dust. He stood, finding his balance, clearing his head, wavering until he reached out to steady himself.

A hole in the floor appeared to be trying to eat the bed. It was listing like a sinking ship, the far corner up in the air, the corner nearest David canted down into the hole. Flames had found the blankets and were spreading fast.

Outside, machine-gun fire erupted.

David jumped.

He stumbled toward an outside wall. It had crumbled, forming a rough V-shaped hole from where the ceiling used to be nearly to the floor. Bent rebar jutted out of the plaster every few feet.

More gunfire, another explosion. The floor shook.

Beyond the walls of the bedroom, the rumble of an engine and a rhythmic, metallic click-click-click-click-click tightened his stomach. He recognized the sound from a dozen war movies: a tank. It was rolling closer, getting louder.

He reached the wall and dropped to his knees. He peered out onto the dirt and cobblestone streets of a small village. Every house and building was at least partially destroyed, ravaged by bombs and bullets. The streets were littered with chunks of wall, roof tiles, even furniture that had spilled out through the ruptured buildings.

David’s eyes fell on an object in the street. His panting breath froze in his throat. He slapped his palm over his mouth, either to stifle a scream or to keep himself from throwing up. It was a body, mutilated almost beyond recognition. It lay on its back, screaming up to heaven. Male or female, adult or child, David didn’t know, and it didn’t matter. That it was human and damaged was enough to crush his heart. His eyes shot away from the sight, only to spot another body. This one was not as broken, but was no less horrible. It was a young woman. She was lying on her stomach, head turned with an expression of surprised disbelief and pointing her lifeless eyes directly at David.

He spun around and sat on the floor. He pushed his knuckles into each eye socket, squeegeeing out the wetness. He swallowed, willing his nausea to pass.

His older brother, Xander, said that he had puked when he first saw a dead body. That had been only two days ago—in the Colosseum. David didn’t know where the portal he had stepped through had taken him. Certainly not to a gladiator fight in Rome.

He squinted toward the other side of the room, toward the shadowy corner where he had stepped into . . . wherever this was . . . whenever it was. Nothing there now. No portal. No passage home. Just a wall.

He heard rifle shots and a scream.

Click-click-click-click-click . . . the tank was still approaching.

What had he done? He thought he could be a hero, and now he was about to get shot or blown up or . . . something that amounted to the same thing: Dead.

Dad had been right. They weren’t ready. They should have made a plan.

Click-click-click-click-click.

David rose into a crouch and turned toward the crumbled wall.

I’m here now, he thought. I gotta know what I’m dealing with, right? Okay then. I can do this.

He popped up from his hiding place to look out onto the street. Down the road to his right, the tank was coming into town over a bridge. Bullets sparked against its steel skin. Soldiers huddled behind it, keeping close as it moved forward. In turn, they would scurry out to the side, fire a rifle or machine gun, and step back quickly. Their targets were to David’s left, which meant he was smack between them.

Figures.

At that moment, he’d have given anything to redo the past hour. He closed his eyes. Had it really only been an hour? An hour to go from his front porch to here?

In this house, stranger things had happened. . . .

Wednesday, May 21, 2008

House of Dark Shadows by Robert Liparulo (Teen FIRST blog tour)

It's May 21st, time for the Teen FIRST blog tour! (Join our alliance! Click the button!) Every 21st, we will feature an author and his/her latest Teen fiction book's FIRST chapter!

This month we're featuring House of Dark Shadows by Robert Liparulo, Book #1 in his Dreamhouse Kings series.

ABOUT THE AUTHOR:

Robert Liparulo is an award-winning author of over a thousand published articles and short stories. He is currently a contributing editor for New Man magazine. His work has appeared in Reader's Digest, Travel & Leisure, Modern Bride, Consumers Digest, Chief Executive, and The Arizona Daily Star, among other publications. In addition, he previously worked as a celebrity journalist, interviewing Stephen King, Tom Clancy, Charlton Heston, and others for magazines such as Rocky Road, Preview, and L.A. Weekly. He has sold or optioned three screenplays.

Robert is an avid scuba diver, swimmer, reader, traveler, and a law enforcement and military enthusiast. He lives in Colorado with his wife and four children.

Here are some of his titles other titles:

Comes a Horseman
Germ

Deadfall

I did an interview with Robert awhile back for TitleTrakk.com. Click here to read it.

And now, the first chapter:


“A house of which one knows every room isn't worth living in.”

—Giuseppe Tomasi di Lampedusa

Prologue

Thirty years ago

The walls of the house absorbed the woman’s screams, until they felt to her as muffled and pointless as yelling underwater. Still, her lungs kept pushing out cries for help. Her attacker carried her over his shoulder. The stench of his sweat filled her nostrils. He paid no heed to her frantic writhing, or the pounding of her fists on his back, or even her fingernails, which dug furrows into his flesh. He simply lumbered, as steadily as a freight train, through the corridors of the big house.

She knew where they were heading, but not where she would end up. In this house, nothing was normal, nothing as it appeared. So while she knew in advance the turns her attacker would take, which hallways and doors he would traverse, their destination was as unknowable as a faraway galaxy. And that meant her taking would be untraceable. She would be unreachable to searchers. To would-be rescuers. To her family— and that realization terrified her more than being grabbed out of her bed. More than the flashes of imagined cruelty she would suffer away from the protection of the people who loved her. More than death.

But then she saw something more terrifying: her children, scrambling to catch up, to help. Their eyes were wide, streaming. They stumbled up the narrow staircase behind her attacker, seeming far below, rising to meet her. The thought of them following her into the chasm of her fate was more than she could stand.

“Go back,” she said, but by this time her throat was raw, her voice weak.

The man reached the landing and turned into another corridor.

Temporarily out of sight, her son yelled, “Mom!” His seven-year-old voice was almost lost in the shrillness of his panic. He appeared on the landing. His socked feet slipped on the hardwood floor and he went down. Behind him, his little sister stopped. She was frightened and confused, too young to do anything more than follow her brother. He clambered up and started to run again.

A hand gripped his shoulder, jarring him back.

The boy’s father had something in his fist: the lamp from his nightstand! He past the boy in the hallway. His bare feet gave him traction.

Thank God, she thought.

He reached her in seconds. With the lamp raised over his head, he grabbed her wrist. He pulled, tried to anchor himself to the floor, to the carpeted runner now covering the wood planks. But the brute under her walked on, tugging him with them. The man yanked on her arm. Pain flared in her shoulder. He might as well have tried pulling her from a car as it sped passed.

She caught a glimpse of the bizarrely shaped light fixtures on the corridor walls—mostly carved faces with glowing eyes. The bulbs flickered in time with her racing heart. She could not remember any of the lights doing that before. It was as though the electrical current running through the wires was responding to a disruption in the way things were supposed to be, a glitch in reality.

“Henry,” she said, pleading, hopeful.

His grip tightened as he stumbled along behind them. He brought the lamp’s heavy base down on her assailant. If the man carrying her flinched, she did not feel it. If he grunted or yelled out, she did not hear it.

What he did was stop. He spun around so quickly, the woman’s husband lost his grip on her. And now facing the other direction, she lost sight of him. Being suddenly denied her husband’s visage felt like getting the wind knocked out of her. She realized he was face to face with the man who’d taken her, and that felt like watching him step off a cliff.

“Nooo!” she screamed, her voice finding some volume. “Henry!”

Read the rest of the chapter here at the Teen FIRST blog.


Wednesday, November 07, 2007

Making a short novel long (My Writing Journey, Part #9)

It's challenging to write about a journey you're still on. That's the way I feel about my writing journey so far. The last time I wrote, I had just started submitting my manuscript to publishers. I could go on and on about this leg of the trip.

Eventually I realized I needed to lengthen my 67K manuscript. So I went back over it adding 10K. This is actually an interesting point. How to make a short manuscript longer. I've come up with a few steps that helped me:

1. Look for places where you’ve summarized a scene. Dramatize it instead.

2. Look for scenes where a character has a lot of interior monologue. Bring in a second character for them to talk with.

3. Look for time gaps. What happens in them that you could make into a scene?

4. Add another character. Perhaps someone your main character doesn’t want to see, or wasn’t expecting to see.

5. Add a subplot. Are there any existing characters you could give scenes? Maybe your villain?

So writers and readers ... what say you?

==============
The CFBA blog tour this week is for Robert Liparulo's Deadfall.

Read a great review of the book here.
And read an interview I did with Robert awhile back here.