Over the past fifteen years I've heard so much great advice on writing and becoming a writer. Here are three tips I'm finding from my own experience to be true:
1. The best way to learn how to write fiction is to read great novels. It’s learning by osmosis---you’ll pick up concepts like how to structure a story, craft dialogue, and master point of view, without even realizing it. Which isn't to say that how-to book don't have they're place, of course. I'm currently reading James Scott Bell's latest,
The Art of War for Writers, and most certainly recommend it and others. But if we
only read the books on technique without actually reading other fiction, it's possible we'll get stuck.
2. Start writing about what you love. You will write best if it’s something you’re interested in. Do you love horses? Write a story about a woman struggling to keep her horse farm afloat. Do you love airplanes? How about writing a story featuring a hot shot pilot? My sister Tracy started out writing articles about Christian musicians for youth publications because she loved Christian music. We will automatically have a drive if we write about something that excites us, or something that we're curious about.
3. Writing is an apprenticeship. It can take at least ten years to master the craft enough to think about publishing. If we go into it knowing that, it’ll help us on those days when the words just aren’t coming. I started writing as a teenager (if you don't count the silly animal stories I wrote as a kid). It took fifteen years before my first book was accepted for publication. Granted, I knew nothing when I started, but that gives you an idea of the commitment you need to have. Maybe it won't take you that long. But be prepared for it.
Over the past fifteen years I've heard so much great advice on writing and becoming a writer. Here are three tips I'm finding from my own experience to be true:
Here's the next installment of our series in which editors, agents, publicists and authors answer the question:
Rebeca cut her publicity teeth as the first dedicated publicist for the fiction division of Thomas Nelson Publishers. In 2005, Rebeca resigned from WestBow and opened the doors of GRPR, the only publicity firm of its kind in the country dedicated solely to representing novelists writing from a Christian worldview. 
My series of blog posts in which industry professionals (editors, agents, publicists, authors, etc.) share their responses to this question:
I'm starting a series of blog posts here in which industry professionals (editors, agents, publicists, authors, etc.) share their responses to this question:
Pacing is one of THE most important things in writing, especially in climaxes. A lot of times I find myself rushing through them, and the scene suffers for it. But the best anecdote I've found to spotting pacing problems is reading a scene aloud. I'll usually pick up when something doesn't work. The trick is knowing how to fix it. Here are a few suggestions for when your scene moves too fast:
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Congratulations to all the nominees!
