The Art of War for Writers by James Scott Bell

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I've read countless books on the craft, but James Scott Bell's are permanently a part of my library. Writers, you need to get your hands on this book! Here's my official review:

The thing I love most about The Art of War for Writers is that every writer, from newbie to seasoned professional, can glean from its pages. You can pick it up at different stops on your journey and learn something new. It inspires even as it spurs you on in your writing career. And that’s really the focus of this book—how to develop a career in writing. Says Bell, “The writer must understand the essentials of success for a long-term writing career, and count the cost accordingly.” What does that take? How do you overcome the obstacles along the way? The book’s short, meaty chapters share real answers to these questions and more. And while there’s certainly some how-to advice on the craft within its pages, Bell has already covered craft techniques in his two noteworthy books Plot & Structure and Revision & Self Editing. The Art of War for Writers is more a battle plan on how to beat the enemies we all face in our writing pursuits. Let’s face it—writing is a fight. But in The Art of War we’re shown that with the proper attitude and tactics we can be victorious. That’s something every writer needs to hear.

You can pick up a copy at Amazon.com here. It'll be a ten spot well spent!

Inspiration from Elizabeth Berg

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The March/April issue of Writers Digest Magazine features an inspiring interview with author Elizabeth Berg by Jessica Strawser. In Q&A format she tackles some subjects that hit home for me at this stage of my writing. Perhaps they'll encourage you too. Here are a few of the questions. Pick up a copy of the magazine to read the complete interview, including her take on life after Oprah picking her book up as a selection and how it impacted her career.

Are you often surprised by where stories take you?

I am, and that's part of the mystery and the joy. I never want to know. To me, it would be like doing homework---it would be so boring---if I knew what was going to happen. So, I'm kind of like the reader every day. I go into my study, and I don't know what's going to happen. It's exciting, you know?

I love her enthusiasm here, and her emphasis on the joys of writing. So much is placed on the negative, and here she doesn't emphasize that.

A lot of your characters seem in some way empowering---do you ever set out to empower your readers?

In the most self-protective of ways, I don't think about the reader when I'm writing. I just think about the story. After it's done, I think a lot about the reader. But in the end, always, you need to write what's in your heart and soul, and let the chips fall where they may. Let's say you try to accommodate this imaginary reader, and you produce a work you're not particularly happy with. That will always stay with you, that you didn't write what was true for you. Whereas, if you do write what's true for you, and someone doesn't like it, well, you know, that stings for a minute, but it goes away.

Bravo, Elizabeth, for sharing these words! I totally agree---we must write first for ourselves, and let the chips fall. God puts particular stories in our hearts for a reason, and I need to be reminded of this every day.

So many successful writers talk about writing as agony.

Sometimes I think people say that to keep the competition down! We are in such need of fresh voices, and I worry sometimes that emerging writers pay a little too much attention to what other people say. If I could say anything to aspiring writers, it's to keep your own counsel, first and foremost. There's nothing wrong with listening to what other people have to say---I used to be one of your readers who would gaze longingly at those pictures of people who are published and think, Oh man, what must it be like? But there is something inside of a person that makes them be a writer in the first place. That's a strong and true thing. And you can have your head turned very easily by the business of writing. It's so important to keep it church and state---keep it separate. The process of writing and creating and answering that very unique call inside yourself has nothing to do with agents and sales and all that. And I can tell you as someone who's enjoyed a lot of success in my career that nothing matches the feeling you have when you get it right on the page, when you please yourself in that very intimate way---that's always the best thing, no matter what happens. For me it is, anyway.

This is advice I needed to hear. And it's so true! On this side of the journey, with my debut novel on shelves (and I have so far to go, I know), this advice rings true. We would be wise to heed it. Thank you, Ms. Berg, for sharing.

3 Tips For Beginning Writers

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Over the past fifteen years I've heard so much great advice on writing and becoming a writer. Here are three tips I'm finding from my own experience to be true:

1. The best way to learn how to write fiction is to read great novels. It’s learning by osmosis---you’ll pick up concepts like how to structure a story, craft dialogue, and master point of view, without even realizing it. Which isn't to say that how-to book don't have they're place, of course. I'm currently reading James Scott Bell's latest, The Art of War for Writers, and most certainly recommend it and others. But if we only read the books on technique without actually reading other fiction, it's possible we'll get stuck.

2. Start writing about what you love. You will write best if it’s something you’re interested in. Do you love horses? Write a story about a woman struggling to keep her horse farm afloat. Do you love airplanes? How about writing a story featuring a hot shot pilot? My sister Tracy started out writing articles about Christian musicians for youth publications because she loved Christian music. We will automatically have a drive if we write about something that excites us, or something that we're curious about.

3. Writing is an apprenticeship. It can take at least ten years to master the craft enough to think about publishing. If we go into it knowing that, it’ll help us on those days when the words just aren’t coming. I started writing as a teenager (if you don't count the silly animal stories I wrote as a kid). It took fifteen years before my first book was accepted for publication. Granted, I knew nothing when I started, but that gives you an idea of the commitment you need to have. Maybe it won't take you that long. But be prepared for it.

Rene Gutteridge (Advice for Novelists, Part 102)

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Next up in our Advice for Novelists series is multi-published author Rene Gutteridge. Here's her response to my question:

"If you could say one thing to aspiring novelists, what would you say?"

Write when inspiration is nowhere to be found. That’s the fastest way to becoming a professional, because inspiration is fleeting, and also cleverly disguised at times within discouragement and trials. You’ll be amazed, looking back, how much you accomplish writing in times that you feel the least inspired.

--Rene Gutteridge, co-author of Never the Bride (with Cheryl McKay), the Boo series, the Occupational Hazards series, and more. Visit her website to catch the latest.

Travis Thrasher's Writing Tips

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I've been getting a lot out of Travis Thrasher's blog The Journey Is Everything. Travis is the author of 11 novels including Isolation, Gun Lake, Sky Blue and the upcoming Ghostwriter. He's recently started a series sharing writing tips, and they are all well worth reading. Check 'em out:



Tip #1: If you could write one book, and only one book, what would that be?
Tip #2: Read Seth Godin
Tip #3: Writing a book is sometimes like driving through the fog.
Tip #4: Read everything you can.
Tip #5: Shake things up in your writing.
Tip #6: Take a journey with each reader.
Tip #7: You can learn a lot by going on to Amazon.com.
Tip #8: "What's going on here?"
Tip #9: Go along for the ride with your characters.
Tip #10: Don't set your sights too low.
Tip #11: They're just words.
Tip #12: Get through the middle.